With the Temptations
Main article: The Temptations
The Temptations began singing background for Mary Wells. After an initial dry period, The Temptations quickly became the most successful male vocal group of the 1960s. Although technically Kendricks was first tenor in the group's harmony, he predominately sang in a falsetto voice. Among the Temptations songs Kendricks sang lead on were "Dream Come True" (1962), the group's first charting single; "The Way You Do the Things You Do" (1964), the group's first US Top 20 hit; "I'll Be in Trouble" (1964); "The Girl's Alright With Me" (1964), a popular b-side that Kendricks co-wrote; "Girl (Why You Wanna Make Me Blue)" (1964); "Get Ready" (1966); "Please Return Your Love to Me" (1968); and "Just My Imagination" (1971). He was also allowed to sing a few leads in his natural voice such as "May I Have This Dance" (1962). He shares lead vocal duty on other records, including "You're My Everything" (1967) (shared with David Ruffin), and a long string of Norman Whitfield produced psychedelic soul records where all five Temptations sang lead, such as the Grammy winner "Cloud Nine" (1968), "I Can't Get Next to You" (1969), and "Ball of Confusion" (1970). He also leads on "I'm Gonna Make You Love Me" (1968), a popular duet with Diana Ross and the Supremes, and on the Temptations' famous version of the Christmas classic "Rudolph the Red-Nosed Reindeer" (1968).
Eddie Kendricks (2nd from left) with the Temptations in 1967.
In the Temptations, Kendricks was responsible for creating most of the group's vocal arrangements, and also served as wardrobe manager, including the now famous purple suits the group wore for one performance. He also co-wrote several Temptations songs apart from "The Girl's Alright With Me" including "Isn't She Pretty" (1961) and "Don't Send Me Away" (1967). His favorite food was cornbread, and as a result he was nicknamed "Cornbread" (or "Corn" for short) by his groupmates. According to Otis Williams, Kendricks romantically pursued Diana Ross, lead singer of the Supremes, and he was said to have been close friends with Martha Reeves of the Vandellas. In her second book, Supreme Faith, Supremes singer Mary Wilson writes that she and Kendricks were lovers "briefly," but remained close friends.
Kendricks remained in the group through the rest of the decade, but a number of issues began to push him away from it in the late 1960s and early 1970s. He was uncomfortable with singing the psychedelic style that Whitfield was now crafting for the group as opposed to the romantic ballads they had sung under the direction of Smokey Robinson, his friend Paul Williams was often too ill to perform with the group, and Kendricks often found himself at odds with bandmates Otis Williams and Melvin Franklin. As he grew away from the group, Kendricks began to rekindle his friendship with ex-Temptation David Ruffin, who convinced him to leave the group. In a 1991 interview with Urban Street Kendricks said he actually started to make the decision to leave the group as early as 1965, even though that was when the band was finally starting to take off, because of things that "weren't quite proper." He explained that they were working with people that "didn't have their best interests at heart." Kendricks, however, initially decided to stay in the group because he was worried he would not get the support he needed if he left the group. Kendricks also expressed the fact that his relationship with Berry Gordy was less than cordial. "Berry Gordy is a man I don't know, I only met him about three times," he said, but "I know he didn't particularly care for me." Kendricks stated that he did not agree with many decisions that were made. Kendricks recorded one last hit single with the Temptations, 1971's "Just My Imagination (Running Away with Me)"; by the time the record reached #1 on the US pop charts in April 1971, Kendricks had quit The Temptations in May 1971 and signed a solo deal with Motown's Tamla imprint, but many of his problems with Motown would reoccur. Eddie died of lung cancer in 1992.
Eddie Kendricks Full Bio
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Awards and nominations
[edit] Soul Train Music Award
- Nominated: Best R&B/Soul Album by a Duo or Group for Livin' the Luxury Brown (2005)
- Nominated: Best R&B/Soul Album by a Group, Band or Duo for Definition of a Band (1997)
- Nominated: Best R&B/Soul Single by a Group, Band or Duo for What Kind Of Man Would I Be (1997)
[edit] SoulTracks Readers' Choice Awards
- Winners: Album of the Year Mint Condition - e-Life* (2008)
- Winners: Duo or Group of the Year - Mint Condition* (2008)
[edit]
History
[edit] 1989-1991: Meant to be Mint
Discovered and originally signed to Perspective Records by music producers Jimmy Jam and Terry Lewis in 1989 (after being heard at a performance at a club in downtown Minneapolis called First Avenue), their debut album was entitled Meant To Be Mint (released in 1991). Despite their musical versatility the band attempted to attract New Jack Swing listeners with their dance cut "Are You Free", but it wasn't successful (the song hit #55 on the R&B charts). However, they did enjoy major success with the ballad "Breakin' My Heart (Pretty Brown Eyes)". The song stayed on the charts for 34 weeks, hitting the R&B top 5 (#3), and the Pop Top 10 (#6) and was certified gold by the RIAA. The third single "Forever In Your Eyes" was also a successful Top 10 R&B hit (#7 R&B).[edit] 1993-1994: From the Mint Factory
Two years later they released their 2nd platinum album, From The Mint Factory (1993). They enjoyed success with the single "U Send Me Swingin'" which peaked at #2 on Billboard's Hot R&B/Hip-Hop Songs Chart for four weeks straight in the spring of 1994. The song was also a smash on the Rhythmic Top 40 charts where it reached #14. The bands next two singles "Someone to Love" and "So Fine" were Billboard Top 30 R&B hits hitting the #28, and #29 spots respectively.[edit] 1996-1997: Definition of a Band
In September 1996 saw the release of Definition of a Band which would be the bands most successful period in their career. The album peaked the R&B Top 15. The first successful single on this album was the Billboard R&B smash hit single "What Kind Of Man Would I Be?" which was about remaining faithful in a relationship (#2 R&B, #17 Pop). The single crept up to the number 2 spot on the Billboard R&B charts in a matter of weeks and received a Gold certification by the RIAA that December. "What Kind Of Man Would I Be?" was so popular that it stayed on the Billboard R&B Charts for a total of 41 weeks before it finally fell off. "You Don't Have to Hurt No More" was the second single released from Definition of a Band and it was also a Top 10 R&B hit. (#10 R&B, #32 pop). With the success of these two singles along with the positive reviews that the album received allowed Definition of a Band to reach Gold status as well. Two years later, The Collection: 1991-1998, a greatest hits compilation, was issued.[edit] 1999-2000: Life's Aquarium
After Perspective Records/A&M folded, the group signed with Elektra Records in 1999, releasing their fourth full-length album, Life's Aquarium which also debuted in the Top 10 (#7 R&B). Its main single, "If You Love Me", hit the R&B Top 5 while appearing on the R&B Charts for 31 weeks. The second single "Is This Pain Our Pleasure", peaked at #42, while also peaking at #34 on the R&B Airplay Charts.[edit] 2000s: Livin' The Luxury Brown and E-Life
After a six year hiatus, the group resurfaced as a quintet due to former member and keyboard player Keri Lewis leaving the group to produce for other artists, such as his wife, singer Toni Braxton. In 2005, they released Livin' The Luxury Brown on their independent label Caged Bird Records. The album hit #1 on the Independent Album Charts. Live From The 9:30 Club, a performance of a concert at the 9:30 club in Washington DC, was issued in 2006.In 2008 they released a new album entitled E-Life which debuted at #8 on the Billboard R&B album chart, and spawned two singles, "Baby Boy, Baby Girl" and "Nothing Left To Say." The second single "Nothing Left To Say" became the band's first Top 30 R&B single in almost a decade (#27 R&B) and also a Top 5 Billboard Urban Adult Contemporary hit peaking at #3.
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